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Category: Vintage Treasures

Birthday Reviews: Molly Gloss’s “Interlocking Pieces”

Birthday Reviews: Molly Gloss’s “Interlocking Pieces”

Universe 14-small Universe 14-back-small

Cover by Peter R. Kruzan

Molly Gloss was born on November 20, 1944.

In 2001, Gloss’s novel, Wild Life received the James Tiptree Jr. Memorial Award. Her story “The Grinnell Method” won the Theodore Sturgeon Memorial Award in 2013. Her short story “Labming Season” was nominated for both the Hugo Award and the Nebula Award.

“Interlocking Pieces” was Gloss’s first professionally published short story, appearing in Terry Carr’s anthology Universe 14 in 1984. Gardner Dozois selected the story for inclusion in The Year’s Best Science Fiction: Second Annual Collection and in 1993, Ursula K. Le Guin and Brian Attebery included it in The Norton Book of Science Fiction: North American Science Fiction, 1960-1990. John Kessel and James Patrick Kelly also reprinted the story in their 2009 anthology The Secret History of Science Fiction.

There are numerous stories which start with the protagonist waking up in a hospital and neither they nor the reader knowing their situation. Although “Interlocking Pieces” seems to open this way, it quickly becomes apparent that Teo, the patient, knows exactly who she is, where she is, and why she is there. It is only the reader who slowly gathers the detail that Teo is a government minister who is in the hospital awaiting a cerebellum transplant.

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Old School: The Iliad

Old School: The Iliad

(1) Iliad - Fagles Translation-small

A while back it was time to hit the dreaded “To Be Read” pile, and I found myself in the mood for a good, old fashioned yarn full of blood and sweat and battles with edged weapons and feats of valor and derring-do, a tale of larger than life heroes and their mighty deeds — in other words, something old school. ( I had just finished reading a volume of John Updike short stories set in suburban, middle-class Pennsylvania, so I was ready, as John Cleese used to say, for something completely different.)

While not entirely eschewing the new, in my reading choices I do tend to lean toward older, more established books and authors (test of time and all that, you know — plus, they’re usually cheaper) and this time I decided to skew just about as far in that direction as it’s possible to skew. I reached all the way down to the bottom of the stack — three millennia down — and pulled up The Iliad. (At that moment, Western Civ teachers across the land contentedly smiled in their sleep without even knowing why.) Having “little Latin and less Greek” (as in none) I chose the highly regarded Robert Fagles translation, which has been laying around the house unread for the last, oh, twenty five years.

What follows is in no sense a learned reading of The Iliad (as will immediately be apparent!), but is simply this reader’s untutored reaction to his initial encounter with one of the world’s great books. It’s rather like a mayfly’s head-on meeting with a Mack truck; the insect’s reaction may not exactly be profound, but it has no doubt that it has been hit by something too big and serious to ignore.

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Ouroboros: The Citadel of the Autarch by Gene Wolfe

Ouroboros: The Citadel of the Autarch by Gene Wolfe

I have no way of knowing whether you, who eventually will read this record, like stories or not. If you do not, no doubt you have turned these pages without attention. I confess that I love them. Indeed, it often seems to me that of all the good things in the world, the only ones humanity can claim for itself are stories and music; the rest, mercy, beauty, sleep, clean water and hot food (as the Ascian would have said) are all the work of the Increate. Thus, stories are small things indeed in the scheme of the universe, but it is hard not to love best what is our own—hard for me, at least.

— Severian

oie_1342155N3OR5AdvWith The Citadel of the Autarch (1983) the story ends where it began: Nessus, the great city of the Commonwealth. Severian is no longer a young torturer exiled for an act of mercy, but a figure of incredible power and importance. Realistic depictions of peace and war are interwoven with excursions into phantasmagoria. Severian encounters old friends as well as enemies, experiences mass combat, and meets the strange soldiers of the Commonwealth’s Orwellian enemy, Ascia. Told in Wolfe’s often elliptical style, there are the familiar hints of Clark Ashton Smith, the stench of Wolfe’s time during the Korean War, and a solid whiff of Chesterton’s The Man Who Was Thursday.

At the end of the previous book, The Sword of the Lictor, Severian’s great sword, Terminus Est, was broken. So too, seemingly, the life-restoring Claw of the Conciliator he means to return to the religious order, the Pelerines. Searching for the blue gem’s pieces, he discovered that at its shattered heart was a simple thorn. The gem itself was mere glass.

Citadel begins with Severian continuing northward in search of the Pelerines and the front between the Commonwealth’s and Ascia’s armies. He soon meets the trailing edge of the Autarch’s armies: supply trains, cavalry patrols, and the scattered remains of the killed. As he pilfers supplies from one dead soldier he is struck by the callousness of his actions and by the contents of a letter written by the dead man to his beloved. He restores the corpse to life with the thorn from the Claw. Whether unable or unwilling to speak, the resurrected soldier travels with Severian until they finally come to a great field hospital run by the Pelerines.

Severian, it turns out, is suffering from a fever and is taken in by the ministering sisters. He strikes up a friendship with several fellow patients, a woman and three men who wish to marry her. And here, Citadel takes a storytelling detour. To choose a husband from among her suitors, Foila decides that whomever can tell the best story will win her hand. She asks Severian to act as judge. Each story has its own strengths, but it’s that of the Ascian prisoner I found the most interesting.

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The Magazine of Fantasy and Science Fiction, November 1979: A Retro-Review

The Magazine of Fantasy and Science Fiction, November 1979: A Retro-Review

The Magazine of Fantasy & Science Fiction November 1979-small

I didn’t really pick the Magazine of Fantasy & Science Fiction to begin my November 1979 survey of sf/f magazines, it just happened to be on top of the stack. Overall I have to say that I was disappointed.

Lord Valentine’s Castle, Part 1, by Robert Silverberg. Given how much I enjoyed Downward to Earth in the November 1969 Galaxy, I was eager to see how Mr. Silverberg had evolved over a decade. … Lord Valentine’s Castle was a big letdown. You often hear that editors and agents really hate stories that start with a guy waking up not remembering anything, and I can totally see why. Valentine, the main character (MC), walks toward the great city of Pidruid, he meets a herdsman, they join a juggling troupe, Valentine starts to realize he has no real memories before walking to Pidruid, they practice for the grand parade for the King-of-the-World (the Coronal), also named Valentine, he has odd dreams. This goes on for 93 pages (easily 60% of the magazine), of which I only read about 80, and which only started cooking about page 75.

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Birthday Reviews: Neil Gaiman’s “Snow, Glass, Apples”

Birthday Reviews: Neil Gaiman’s “Snow, Glass, Apples”

Cover by Charles Vess

Cover by Charles Vess

Neil Gaiman was born on November 10, 1960.

Gaiman has received Hugo Awards for his novels American Gods and The Graveyard Book, his novella Coraline, his short story “A Study in Emerald,” and his Graphic Story The Sandman: Overture. Both American Gods and Coraline won the Nebula Award and Gaiman has also won the Bradbury Award from SFWA for his screenplay for the Doctor Who episode “The Doctor’s Wife.” His short story “A Midsummer Night’s Dream,” part of his Sandman graphic novel, won the World Fantasy Award for Gaiman and collaborator artist Charles Vess. Gaiman and Yoshitaka Amano won the Bram Stoker Award for The Sandman: Dream Hunters and Gaiman has also won the award for American Gods, Coraline, and The Sandman: Endless Nights. He won the British SF Association Award for Coraline and The Wolves in the Wall, the latter in collaboration with Dave McKean. His novelette “The Truth is a Cave in the Black Mountains” earned him a Shirley Jackson Award in 2011 and the anthology Stories: All New Tales earned him and collaborator Al Sarrantonio a second Shirley Jackson Award that same year. Gaiman’s work in both prose and comic has won him several other awards as well. He was the guest of Honor at Anticipation, the 67th Worldcon in Montreal in 2009. Gaiman has collaborated with numerous authors and artists for his work in comics and collaborated with Terry Pratchett on the novel Good Omens. Other prose fiction collaborators include Dave McKean, Kim Newman, Eugene Byrne, Gene Wolfe, Toby Litt, Alisa Kwitney, Jaime Delano, and Bryan Talbot.

Snow, Glass, Apples was originally published as a chapbook in 1995 by DreamHaven Press to support the Comic Book Legal Defense Fund. Terri Windling and Ellen Datlow selected the story to appear in their anthology The Year’s Best Fantasy and Horror: Eighth Annual Collection and Poppy Z. Brite included the story in her anthology Love in Vein II: Eighteen More Tales of Vampiric Erotica. The story was translated into Spanish in 1997 for inclusion in the July issue of the fanzine Artifex. Gaiman included it in his collection Smoke and Mirrors: Short Fictions and Illusions, which was translated into French. The story has also been translated into Dutch. In 2007, Martin H. Greenberg included it in the anthology Women of the Night and John Joseph Adams used the story in his 2009 anthology By Blood We Live. The next year, it appeared in Peter S. Beagle’s anthology The Secret History of Fantasy. Gaiman adapted the story into a play in 2002 and that same year, he recorded the play along with another for HarperAudio. The story was also adapted into a play by the Edinburgh University Theatre Societty in 2012.

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In Which Severian Becomes Human: The Sword of the Lictor by Gene Wolfe

In Which Severian Becomes Human: The Sword of the Lictor by Gene Wolfe

oie_622120n9dhjJAUSeverian has finally arrived in the fortress town Thrax and taken up his duties as lictor, or “he who binds”, and jailor. More importantly, he serves in his trained capacity as torturer and executioner. It is his latter duties that lead to a rift between Severian and Dorcas. No matter how rationally he makes his case for legal torture and execution, she is more and more disturbed by his work. Eventually she leaves him and takes up residence in a tavern.

His refusal to employ his guild talents for the personal desire of Thrax’s ruler leads him to flee northward — that and the fiery salamander sent to kill him by an agent of his old nemesis, Agia. Severian hopes to return the life-restoring gem, the Claw of the Conciliator, to the traveling sisterhood from which Agia stole it back in the first book, The Shadow of the Torturer. With the revealing of several dire secrets, Dorcas leaves Severian to return to Nessus and uncover the truth of her past.

1980’s The Shadow of the Torturer is a coming-of-age tale of Severian’s passage into young adulthood and out of the safe confines of his guild’s tower. While Severian’s constant withholding of information makes his narration unreliable, the book still flows in a generally normal fashion — Severian has adventures during which he journeys from point A to point B.

1981’s The Claw of the Conciliator reads like little more than a series of someone else’s dreams and nightmares. There are powerful passages, but like dreams, their potency comes not from basic storytelling, but strange imagery and psychologically dislocating events. I’m still not sure how much of Wolfe’s story eluded me, even thinking back on it now, but there are sequences that I will not forget any time soon.

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Birthday Reviews: Kara Dalkey’s “Bouncing Babies”

Birthday Reviews: Kara Dalkey’s “Bouncing Babies”

Not of Woman Born
Not of Woman Born

Kara Dalkey was born on November 4, 1953.

Dalkey was nominated for the Mythopoeic Award in 1989 for her novel The Nightingale, a retelling of one of Hans Christian Andersen’s fairy tales in a Japanese setting. Ten years later her novel Heavenward Path was also nominated for the Mythopoeic Award for Children’s Literature. She was also nominated for the James Tiptree Jr. Memorial Award in 2004 for her short story “Lady of the Ice Gardens.”

“Bouncing Babies” was published in the anthology Not of Woman Born, edited by Constance Ash in 1999. The story has never been reprinted.

Although the people who live in the world of “Bouncing Babies” may see it as a utopia in which people don’t have to worry about giving birth unless they want to and the need to work is obviated, it is also a world in which a person’s worth is based solely on their ability to provide reproductive material. Teenage girls are genetically tested and if they prove to fit societal requirements are paid ten million dollars to have their eggs harvested, their genotype then used to determine their ability to fit into society.

Ms. Goodwin has long since had her eggs harvested and is living a life of luxury when she receives a notification to visit the Reprotec Bank. Not having any clue what they want to talk to her about, she goes in and discovers that her eggs are no longer genetically desirable. In fact, a child born from them was returned as defective by its parents. The bank has seized her assets to regain their investments and Goodwin realizes that she has nothing to fall back on.

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Birthday Reviews: October Index

Birthday Reviews: October Index

Cover by David A. Hardy
Cover by David A. Hardy

Cover by Hannes Bok
Cover by Hannes Bok

Cover by John Schoenherr
Cover by John Schoenherr

January index
February index
March index
April index
May index
June index
July index
August index
September index

October 1, Donald A. Wollheim: “Blueprint
October 2, Edward Wellen: “Barbarossa
October 3, Ray Nelson: “Time Travel for Pedestrians
October 4, Gary Couzens: “Half-Life
October 5, Zoran Živković: “The Whisper
October 6, David Brin: “Just a Hint

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Birthday Reviews: Neal Stephenson’s “Excerpt from the Third and Last Volume of Tribes of the Pacific Coast”

Birthday Reviews: Neal Stephenson’s “Excerpt from the Third and Last Volume of Tribes of the Pacific Coast”

Full Spectrum 5-small Full Spectrum 5-back-small

Cover by Michael Parkes

Neal Stephenson was born on October 31, 1959.

Stephenson won the Hugo Award for Best Novel in 1996 for The Diamond Age and the Arthur C. Clarke Award in 2004 for Quicksilver. His novel Snow Crash won the Prix Ozone, the Ignotus Award, and the Grand Prix de l’Imaginaire. Stephenson’s novel Seveneves won the Kurd Lasswitz Preis and the Prometheus Award. Stephenson has also won the Prometheus Award for The System of the World and Cryptonomicon.

“Excerpt from the Third and Last Volume of ‘Tribes of the Pacific Coast’” is one of Stephenson’s few short stories and it originally appeared in Full Spectrum 5, edited by Jennifer Hershey, Tom Dupree, and Janna Silverstein in 1995. The story was reprinted in Steampunk, edited by Jeff and Ann VanderMeer. It has not, otherwise, been reprinted.

The opening of “Excerpt from the Third and Last Volume of ‘Tribes of the Pacific Coast’” has the feel of David McCauley’s Motel of the Mysteries, with a group of men in the ruins of an ancient shopping mall. However, while Stephenson seems to signal that the expedition will explore the mall and come to erroneous conclusions about twentieth century culture, the story itself is quite different.

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Birthday Reviews: Douglas E. Winter’s “Splatter: A Cautionary Tale”

Birthday Reviews: Douglas E. Winter’s “Splatter: A Cautionary Tale”

Masques II
Masques II

Douglas E. Winter was born on October 30, 1950.

Winter won the World Fantasy Award for Non-Professionals for his reviewing in 1986 and has won the International Horror Guild Award three times, for his stories “Black Sun” and “Loop” and for the anthology Revelations. He served as the Toastmaster for the 1986 World Fantasy Com in Providence, RI and the Master of Ceremonies for the 2003 World Fantasy Con in Washington D.C. He has collaborated with Melissa Mia Hall at least twice.

“Splatter: A Cautionary Tale” was first published as a chapbook by Footsteps Press in 1987. In June of that year, J.N. Williamson included the story in the anthology Masques II and reprinted it the following year in The Best of Masques. 1988 also saw the story reprinted in David J. Schow’s Silver Scream and Ellen Datlow and Terri Windling’s The Year’s Best Fantasy: First Annual Collection the first volume in their long-running series better known as The Year’s Best Fantasy and Horror. Barry Hoffman reprinted it in Gauntlet 1 in 1990 and Williamson again published it in the omnibus volume Dark Masques in 2012. It was translated into Italian in 1988 by Alda Carrer and in 1990, Gisela Kirst-Tinnefeld translated it into German. The story was nominated for the World Fantasy Award for Best Short Fiction in 1988.

“Splatter: A Cautionary Tale” is told in segments, with each paragraph headed with the title of a horror film. It describes the lives of three people, Cameron Blake, a woman who is crusading against the portrayal of violence in horror films, Thomas Tallis, an artist who is figuring out what the boundaries are, and Renhquist, a horror fan who may have begun to accept the violence in films a little too much. Winter uses language and arguments about horror films which are generally reserved for pornography.

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